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    • Artefacts
  • (129)
Moai face at the restored archaeological site of Ahu Ko Te Riku in Tahai Ceremonial Center in Hanga Roa, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324213
Oriol Alamany / Moai face at the restored archaeological site of Ahu Ko Te Riku in Tahai Ceremonial Center in Hanga Roa, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004
'The Condor Baby', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose rema...  -  Roland Seitre
01387397
Roland Seitre / 'The Condor Baby', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose rema...
'The Condor', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...  -  Roland Seitre
01387396
Roland Seitre / 'The Condor', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...
'The Hummingbird', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose rema...  -  Roland Seitre
01387394
Roland Seitre / 'The Hummingbird', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose rema...
'The Hummingbird', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose rema...  -  Roland Seitre
01387393
Roland Seitre / 'The Hummingbird', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose rema...
'The Spider', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...  -  Roland Seitre
01387390
Roland Seitre / 'The Spider', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...
'The Spider', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...  -  Roland Seitre
01387387
Roland Seitre / 'The Spider', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...
'The Dog', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains uncl...  -  Roland Seitre
01387386
Roland Seitre / 'The Dog', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains uncl...
'The Monkey', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...  -  Roland Seitre
01387384
Roland Seitre / 'The Monkey', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...
'The Whale', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains un...  -  Roland Seitre
01387383
Roland Seitre / 'The Whale', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains un...
'The Parrot', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...  -  Roland Seitre
01387381
Roland Seitre / 'The Parrot', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains u...
'The Hands', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains un...  -  Roland Seitre
01387380
Roland Seitre / 'The Hands', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains un...
'The Hands', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains un...  -  Roland Seitre
01387379
Roland Seitre / 'The Hands', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose remains un...
The 'astronaut' or 'giant', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their pur...  -  Roland Seitre
01387378
Roland Seitre / The 'astronaut' or 'giant', one of the patterns of the Nazca Lines. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their pur...
Valley, desert and mountains, with the 'Nazca Lines' visible. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose r...  -  Roland Seitre
01387377
Roland Seitre / Valley, desert and mountains, with the 'Nazca Lines' visible. These are lines and patterns made around 300-600 AD by removing stones from the desert floor to expose the ground beneath. Their purpose r...
Carved hornbill bill for examination at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA  -  Roland Seitre
01386393
Roland Seitre / Carved hornbill bill for examination at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA
Indian artefact feather products for examination at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA  -  Roland Seitre
01386389
Roland Seitre / Indian artefact feather products for examination at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA
Cookie Sims, mammalogist, examining jewelry made from Indian bear claws at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA  -  Roland Seitre
01386386
Roland Seitre / Cookie Sims, mammalogist, examining jewelry made from Indian bear claws at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA
Barry Baker, herpatologist, analysing turtleshell artefacts and samples of turtle shell at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA  -  Roland Seitre
01386384
Roland Seitre / Barry Baker, herpatologist, analysing turtleshell artefacts and samples of turtle shell at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA
Sample artefacts of Mammoth ivory (free trade) and Elephant ivory (protected) at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA  -  Roland Seitre
01386375
Roland Seitre / Sample artefacts of Mammoth ivory (free trade) and Elephant ivory (protected) at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA
Ed Espinoza with sample artefacts of Mammoth ivory (free trade) and Elephant ivory (protected) at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA  -  Roland Seitre
01386374
Roland Seitre / Ed Espinoza with sample artefacts of Mammoth ivory (free trade) and Elephant ivory (protected) at the National Fish and Wildlife Forensics Laboratory, Ashland, Oregon, USA
Moais at dusk on the slopes of Rano Raraku, which was the quarry for all the carved moai, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324227
Oriol Alamany / Moais at dusk on the slopes of Rano Raraku, which was the quarry for all the carved moai, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004
Giant moai statues stand erect at sunrise in Ahu Tongariki, Easter Island (Pascua or Rapa Nui),  Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324226
Oriol Alamany / Giant moai statues stand erect at sunrise in Ahu Tongariki, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004
Giant moai statues stand erect at sunrise in Ahu Tongariki, Easter Island (Pascua or Rapa Nui),  Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324225
Oriol Alamany / Giant moai statues stand erect at sunrise in Ahu Tongariki, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004
Manavai (stones surrounding a culture) with Taro plant (Colocasia esculenta), Hanga Ho'onu / La Perouse bay, Easter Island / Rapa Nui, Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324222
Oriol Alamany / Manavai (stones surrounding a culture) with Taro plant (Colocasia esculenta), Hanga Ho'onu / La Perouse bay, Easter Island / Rapa Nui, Unesco World Heritage Site, November 2004
Ngarau Mata petroglyphs representing Tangata Manu or Bird-Man in the ceremonial village of Orongo, on the volcano Rano Kau, Motu Nui islet with Motu Iti and Motu Kao Kao in the background, Easter Isl...  -  Oriol Alamany
01324215
Oriol Alamany / Ngarau Mata petroglyphs representing Tangata Manu or Bird-Man in the ceremonial village of Orongo, on the volcano Rano Kau, Motu Nui islet with Motu Iti and Motu Kao Kao in the background, Easter Isl...
Moai statue standing erect at the restored archaeological site of Ahu Ko Te Riku in Hanga Roa, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324211
Oriol Alamany / Moai statue standing erect at the restored archaeological site of Ahu Ko Te Riku in Hanga Roa, Easter Island (Pascua or Rapa Nui), Unesco World Heritage Site, November 2004
Moai statues stand erect at the restored archaeological sites of Ahu Vai Uri and Ahu Tahai in Hanga Roa, Easter Island (Pascua / Rapa Nui), Unesco World Heritage Site, November 2004  -  Oriol Alamany
01324210
Oriol Alamany / Moai statues stand erect at the restored archaeological sites of Ahu Vai Uri and Ahu Tahai in Hanga Roa, Easter Island (Pascua / Rapa Nui), Unesco World Heritage Site, November 2004
Ceramic fountain in village of Vejer de la Frontera, Nr Cadiz, Costa de la Luz, Andalucia, Spain, August 2008  -  Juan Carlos Munoz
01315392
Juan Carlos Munoz / Ceramic fountain in village of Vejer de la Frontera, Nr Cadiz, Costa de la Luz, Andalucia, Spain, August 2008
Ceramic frog fountain in village of Vejer de la Frontera, Nr Cadiz, Costa de la Luz, Andalucia, Spain, August 2008  -  Juan Carlos Munoz
01315391
Juan Carlos Munoz / Ceramic frog fountain in village of Vejer de la Frontera, Nr Cadiz, Costa de la Luz, Andalucia, Spain, August 2008
Memorial statue of Guzman El Bueno, a 13th century fisherman who saved the town from a Moorish invasion, Puerto de Tarifa, Cadiz, Parque Natural del Estrecho, Andalucia, Spain, July 2008  -  Juan Carlos Munoz
01315358
Juan Carlos Munoz / Memorial statue of Guzman El Bueno, a 13th century fisherman who saved the town from a Moorish invasion, Puerto de Tarifa, Cadiz, Parque Natural del Estrecho, Andalucia, Spain, July 2008
Memorial statue of Guzman El Bueno, a 13th century fisherman who saved the town from a Moorish invasion, Puerto de Tarifa, Cadiz, Parque Natural del Estrecho, Andalucia, Spain, July 2008  -  Juan Carlos Munoz
01315357
Juan Carlos Munoz / Memorial statue of Guzman El Bueno, a 13th century fisherman who saved the town from a Moorish invasion, Puerto de Tarifa, Cadiz, Parque Natural del Estrecho, Andalucia, Spain, July 2008
Polynesian petroglyph or rock carving on the island of Fatu Hiva, Marquesas Islands, French Polynesia, July 2006  -  Tim Laman
01300435
Tim Laman / Polynesian petroglyph or rock carving on the island of Fatu Hiva, Marquesas Islands, French Polynesia, July 2006
Polynesian rock art, Puamau site on Hiva Oa, French Polynesia, July 2006  -  Tim Laman
01300434
Tim Laman / Polynesian rock art, Puamau site on Hiva Oa, French Polynesia, July 2006
Selection of Ulus (traditional Inuit woman's knife), Quebec, Canada, 1998.  -  Bryan and Cherry Alexander
01283396
Bryan and Cherry Alexander / Selection of Ulus (traditional Inuit woman's knife), Quebec, Canada, 1998.
Traditional Even calendar made from Reindeer antler, that also shows the owner's migration route. Evensk, Magadan Region, Eastern Siberia, Russia, 2006.  -  Bryan and Cherry Alexander
01283019
Bryan and Cherry Alexander / Traditional Even calendar made from Reindeer antler, that also shows the owner's migration route. Evensk, Magadan Region, Eastern Siberia, Russia, 2006.
Koryak reindeer / caribou herder's idols which protect the owner's reindeer. Koryakia, Kamchatka, Siberia, Russia, 1999.  -  Bryan and Cherry Alexander
01282965
Bryan and Cherry Alexander / Koryak reindeer / caribou herder's idols which protect the owner's reindeer. Koryakia, Kamchatka, Siberia, Russia, 1999.
Koryak reindeer / caribou herder's idol (circa 1870) which protects the family. Koryakia, Kamchatka, Siberia, Russia, 1999.  -  Bryan and Cherry Alexander
01282964
Bryan and Cherry Alexander / Koryak reindeer / caribou herder's idol (circa 1870) which protects the family. Koryakia, Kamchatka, Siberia, Russia, 1999.
Ritual objects carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia, 2004.  -  Bryan and Cherry Alexander
01282901
Bryan and Cherry Alexander / Ritual objects carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia, 2004.
Ritual zoomorphic sculpture in Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282900
Bryan and Cherry Alexander / Ritual zoomorphic sculpture in Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Ritual zoomorphic sculpture in Reindeer / Caribou antler (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282899
Bryan and Cherry Alexander / Ritual zoomorphic sculpture in Reindeer / Caribou antler (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Harpoon stabiliser carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282898
Bryan and Cherry Alexander / Harpoon stabiliser carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Miniature ritual mask carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282897
Bryan and Cherry Alexander / Miniature ritual mask carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Ritual zoomorphic sculpture in Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282896
Bryan and Cherry Alexander / Ritual zoomorphic sculpture in Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Harpoon heads carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282895
Bryan and Cherry Alexander / Harpoon heads carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Harpoon heads carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.  -  Bryan and Cherry Alexander
01282894
Bryan and Cherry Alexander / Harpoon heads carved from Walrus ivory (circa 1000 BC - 1000 AD) Bering Strait, Chukotka, Siberia, Russia.
Map of Arctic Ocean showing mountain at the North Pole. Cartographer Petrus Bertius. c.1616.  -  Bryan and Cherry Alexander
01282411
Bryan and Cherry Alexander / Map of Arctic Ocean showing mountain at the North Pole. Cartographer Petrus Bertius. c.1616.
Fine engraving on Reindeer antler sheath of a Sami knife, Finland.  -  Bryan and Cherry Alexander
01282410
Bryan and Cherry Alexander / Fine engraving on Reindeer antler sheath of a Sami knife, Finland.
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